People say not to compare old and new version of film but why shouldn’t we? The filmmaker has named it the same, the storyline is same, the name of the characters are same, its set in the same timeframe. If the filmmaker has no issues in cashing out the brand ‘Agneepath’ then why shouldnt we compare?
Now, lets do it one by one..
The character of Vijay Dinanath Chavan is icnoic and made legendary by AB with his
mannerisms, dialogue delivery, style but in thie new Agneepath poor Hrithik Roshan can
hardly claim any of that. He is shown as a cunning, plotting sidekick of a ganglord
played by Rishi Kapoor. He reduces this icnoic character to an ordinary one. Hrithik
Roshan accpeted this role reluctantly after hearing the 2 Karans ( Director and
Producer). I really want to know what convinced him to do such a thing. Was it the
money? The chance to copy AB?, the chance to make a masala movie which would do 100 crore ? or simply because he wanted to annoy AB and his fans. He is shown to be
dancing, singing, crying, plotting and doing things which the ‘true’ Vijay Chavan would
not do in his dreams. He just destroys the character along with the Director-Producer.
The role of childhood Vijay in original AGNEEPATH was played by Manjunath who was
coming from his immense success of Malgudi Days. That role set the tone for AB to take
it over. There was a gradual progression into the role, the same kind of graduation
from childhood to adulthood is not there in this new version.
Rohini Hattangadi played an important role of AB’s mother and the kind of connect
mother-son had in that film is lacking totally with Zaeena Wahab and Hrithik. Rohini
Hattangadi’s ‘Hath Dho Le’ dialogue still echoes.
Romance in earlier film was non-existent and rightly. This kind of film does not need
romantic sidetrack and entire character of Priyanka Chopra was unneceessary. She was
plain irritating at times and doing nothing apart from cracking silly jokes, dancing
around and then getting killed in pre-climax, a scene which reminded us of much
powerful ‘Parinda’. The way Priyanka and Hrithik dance and sing and emote you feel you
are in a Yash Chopra romantic film instead of a gripping thriller.
Character of Kancha Cheena played by Danny in the original was legendary too, he had a
certain style and attitude, he loved good things in life stayed in a glass house in
mauratius where as Sanjubaba plays it exactly the opposite here and hams it to the
hilt. He looked silly and clownish and reminded me of his act in ‘Khalnayak’.
Rishi Kapoor as Rauf Lala was a new character and I must say he did a very nice job in
portraying the evil role, tries to be mean and tries to show his versatility as an
actor but he is too cute a guy to be taken sriously as a villain and his cuddly,
romantic image is too overpowering in our minds. Still, I think his was the only
redeeming factor in this collosal disaster of a movie.
Om Puri plays caroonish cop once again and his Gaitonde was no match against original
Gaitonde played by Vikram Gokhale who had the look of an honest upright cop, who
fathers over Vijay Chavan.
Where are the dialogues?? The original film had dialogues which are memorable till
date. The exchange between Vijay and Gaitonde, Vijay and Kancha, Vijay and his mom are
still viewed by millions on Youtube. Dialogues in this film are by theater veteran
Piyush Mishra but sadly not a single dialogue is worth remembering.He just cannot match
up Kadar Khan, a true legend when it comes to dialogue writing in Hindi Cinema.
The original had other important characters like Mithunda (done away with ) , Archana
Puran singh ( done away and partly replaced by Katrinaji), Goga Kapoor as Dinkar Rao (
played by Kancha’s dad here) and several more like Sharat Saxena, Avtar Gill and Deepak
And then there are questions and huge plotholes which no one can answer…
1) WTF is Vijay doing in first half of the film? If all he wants is to kill Kancha,
then he could have very well asked his mentor Rishi Kapoor to help him do that, Rauf
Lala always hated Kancha. Why all the drama of ‘gaining his trust’ by taking a bullet,
then backstabbing him and then saying things like ‘ I do not need Rauf Lala’s approval
for anything…Vijay Chavan is shown in pain all the time, almost pitying himself and
crying at the drop of a hat..why have they made him a pussycat and just a henchman.
2) How the F… does he reach Mandwa ?? The place is an island, heavily guarded but not
only he reaches there but plants bombs everywhere and generally manages to reach
Kancha’s throne in his den even before anyone realises…!! He wwears Rishi Kapoor’s
shoes – were they flying shoes??
3)Sanjay dutt beats up Hrithik to pulp and even stabs him multiple times and all
Hrithik does is hit him once and then lifts him and hangs him..how did that happen? did
the director decide, enough was enough, lets just end the film !!
4) The villagers first side with Masterji, then turn on him and hangs him and supports
Sanjubaba all these years and then suddenly when Hrithik comes , they suddenly change
their loyalty !! Must be cocaine..they were growing..
5) Cocaine being grown in large amount in an island right opposite Mumbai for years and
Police doesnt do a thing..its cocaine factory !!..not some desi sharab ka
6) Police and inspector Gaitonde are shown such dumb and what happens to them in the
end? where are they? werent they suppose to attack Mandwa post Ganesh Visarjan? Di Om Puri run out of dates?
7) Hrithik aka Vijay Chavan – what exactly he does to redeem himself? for 15 years he
has been sidekick of rishi kapoor selling cocaine and under aged girls and then
suddenly he is the messiah of the masses ? ‘Sau chuhe maar ke billi hajj ko chali’
Its such a badly made and long movie that I can go on and on with plotholes…The
diting is cut randomly making it a real random film.
Agreed that the original wasnt the best of the movie but AB’s performance, Danny,
Mithun , Kadar Khan’s dialogues, Mukul Anand’s direction and shot taking made it a
special film. The Original was inspired from ‘Scarface’ and it wasnt perfect but still
a movie made well-ahead of its times. Sadly this new version has nothing. They just
killed the icnoic ‘Vijay Chavan’ character.
Yash Johar must be turning in his grave or wherever he is. Karan Johar might get the
money but he has failed as a filmmaker.
My biggest question in the end is why the f… is the film called Agneepath , the
characters are nothing like original, then why not name Hrithik Roshan – Raj Singhania
, call the villain Ballu and get it done easily. Its just that the producer wanted to
encash the brand which they are doing. They have marketed the brand succesfully, hyped
up the film and then there is ‘chikni chameli’ to bring in the front benchers running
to the single screen and thats about it nowadays to get huge opening. Huge opening is
not the sign of a good film, just the sign of succesful marketing and hype creating.
Lasly, this ‘agony path’ will make 100 crores at box office but then so did Bodyguard,
Ra.One, Ready, Golmaal Returns and Singham…Case rested !!
AGONY PATH………….’Karan Johar ki Aag’
P.S. I had a GREAT time watching the film in the theater, as everybody was laughing at the film and passing interesting comments which made the 2 and half hours bearable.
Here’s the first look of Aarakshan from director Prakash Jha who gave us Raajneeti last year. Aaarakshan deals with controversial issue of ‘reservations’ in school and colleges and stars Saif Ali Khan, Deepika Padukone, Prateik, Manoj Bajpai and Amitabh Bachchan.
The first trailer gives it a very pop-cornish, high budget look, similar to what it was for Raajneeti. Saif Ali Khan looks slightly awkward and heavy duty dialogues dont fit in with him, Amitabh Bachchan looks comfortable in a familiar kind of role for him and Manoj Bajpai looks good. Overall the trailer looks lukewarm but the subject it deals with is quite powerful and perhaps the film will do justice to it.
Have a look.. The film releases on 13th August 2011.
The most famous angry men ever on Indian film screen Amitabh Bachchan is back in his favorite avatar in the film titled ‘Bbuddah Hoga Tera Baap’ which releases on 1st July 2011.
Posters announcing the launch of the promo were to be seen everywhere, showing AB in the silhouetted image of his most iconic roles, mouthing his most famous dialogues, which are remembered even today.
Here is the first teaser trailer of the film and its a riot. AB’s act and the song reminds us of his heydays when he rules the film world and was called a one man industry. The film promises to be great fun going by the trailer. Have a look.
Today every 2nd hindi film has an Item Number, which usually involves the film’s heroine or some other special dancer / model/ actress or all of that to gyrate to a fast rhythm dance track mainly to lure the hero/ other character of the film. The song usually does not have much relevance to the actual film’s plot although the makers do try their best to fit the song in the narrative of the film. The song is mostly an up tempo, fast beat song with lyrics being little important.
Of course this tradition of Item songs is nothing new and existed long back in our films. Here is one of the track I heard today, of course have heard it multiple times in the past and enjoyed it too. Today, while hearing it once again, I realized that this was almost an Item song in the film with no actual connection to the film’s story, although it involves the lead stars only but the song is the film’s Item number.
The song in question is ‘Yeh Din tau Aaata Hai’ from the 1983 film Mahaan starring none other than Amitabh Bachchan in a triple role and featuring the best item girls your money can buy in the 80s, Zeenat Aman and Parveen Babi. This song features Big B and Parveen Babi dancing to the rocking R D Burman tune. The song is sung by Asha Bhosale and R D Burman himself and is a fantastic upbeat number in true sense. You cannot but tap your feet to it.
Asha Bhosale’s catchy voice is matched by RD’s perfect tone and the music is a mix of Arabian and Indian tunes with generous dose of Disco to match the 80s theme.
Enjoy it once again..This song would clearly give Munnis and Sheilas a run for their money, even today.
Here’s a treat for all movie lovers and passionate followers of the classic bollywood film SHOLAY. As we all know Sholay is one of the most watched and loved Bollywood film ever. The film had Thakur played by Sanjeev Kumar hiring noted criminals Jai and Veeru, played by Amitabh Bachchan and Dharmendra,to capture Dacoit Gabbar Singh played by Amjad Khan.
In the original film ending Gabbar Singh is about to be killed by Thakur when the Police intervenes and captures Gabbar Singh, however this wasnt the original ending of the film. The original ending had Thakur killing Gabbar Singh, but the ending was toned down and altered due to the intervention of the Censor Board, who felt that in time of Political Emergency (which was there at time of release of the film), the ending in which villain is killed by the hero would be too harsh and thus the ending was altered by the director Ramesh Sippy.
But, here is the original ending as it was meant to be. You see and decide whether this one should have been there or not.
Sholay as we all know is the biggest blockbuster Hindi cinema has ever seen. Released in 1975, the movie created box office history and its actors and characters are well known even today. Characters like Thakur, Gabbar, Jai, Veeru, Basanti, Kaalia, Sambha, Soorma Bhopali, Jailor etc. are household names and a stand up artist is considered incomplete unless he has some of these characters in his acts.
Sholay has affected the lives of every Hindi cine-goer and the actors and characters are popular even today
But apart from these mega characters, there were quite a few lesser characters made immortal by character actors and junior artists. These actors and characters were small yet so overpowering that it was very difficult for most of these artists to come out of their ‘Sholay’ character in films they did later. Some of them still continue to play their respective characters even today, 35 years after the film release.
A. K. Hangal played the character of Blind Imaamsaheb who loses his son Ahmed played by Sachin. A.K. Hangal has repeated his Imaamsaheb act in several other films after Sholay and almost copyrighted the blind-father act in Hindi Cinema. Keshto Mukherjee, Asrani and Jagdeep played Hariram Nai, Jailor and Soorma Bhopali respectively and they went on to repeat their acts in many of the film later to come.
Satyen Kappu played Raamlal , helper to Thakur, assisiting Thakur in virtually everything he does. ( Numerous jokes on that – not to be printed) . Mcmohan’s Sambha act and Viju Khote’s Kaalia act still haunts them in almost all of their subsequent films. Leela Mishra played the perfect Mausiji and repeated her loving chachi, mami, bua, maa act in films to come. Jalal Agha danced and played banjo in the most famous son of the film and was known more for that than any of his innumerable films to follow.
Little know artist Mushtaq Merchant was the luckiest actor of all, he got to do 2 different roles in the film. First as the train driver and then as the Parsibawa whose Bike the Jai-Veeru duo steal. Mushtaq went onto play many such insignificant characters in almost all his films and repeated the parsibawa act quite a few times. Small time comedian Birbal played role of a prisoner with half cut moustache. Even he repeaed this half moustache act in many of the films to come.
Apart from the above there were many small characters in the film made memorable by small time actors and character artists. I still remember Om Shivpuri playing the Policeman, Helen as the Gypsy Dancer, the actor playing the arms supplier Heera, Iftekhar playing Jaya Bhaduri’s dad and many more.